Apple is on a marketing blitz for its hit Apple TV+ show, Severance, which aired its highly … [Read More]

The Blue Ghost lunar lander’s mission may have ended, now resting lifeless on the Moon’s surface, but its success has secured its place in history. [Read More]

Asus announced a new ProArt Display that leverages QD-OLED display technology, allowing it to mix the excellent color and pixel response time of OLED with increased brightness and burn-in resistance. [Read More]

Last week, PetaPixel published its review of the GFX100RF. Typically, pre-release cameras aren’t ready for a full review let alone the publication of downloadable RAW files, but this time Fujifilm’s sample cameras were production-ready and running on final firmware. [Read More]

Last week, Sony teased a new full-frame E-mount cinema camera that promised to “Go small, shoot big.” That product has been fully unveiled, and it is extremely niche: the $25,000 Sony Venice 2 Extension System Mini that requires an even more expensive Sony Venice 2 8K or 6K camera. [Read More]

This week on The PetaPixel Podcast, Chris Niccolls, Jordan Drake, and I are joined by PetaPixel’s mobile and computing contributing writer Ted Kritsonis to talk about the very good smartphone camera systems that North Americans might not know about or have outright disregarded. [Read More]

The Canon PowerShot V1 unveiled at CP+ last month has been fully announced for Canon’s global audience, including creators in the United States. While there are no new features or specs to discuss, customers now know when they can get their hands on the PowerShot V1 and for how much. [Read More]

The new Canon RF 20mm f/1.4 L VCM is Canon’s first-ever 20mm f/1.4 prime lens and only the second 20mm f/1.4 lens available for full-frame mirrorless cameras, joining the Sigma 20mm f/1.4 DG DN Art lens. The new RF 20mm f/1.4 L VCM joins Canon’s three other VCM lenses, each designed with hybrid creators in mind. [Read More]

Alongside the Canon EOS R50 V camera designed primarily for video applications, Canon debuted a new wide-angle power zoom lens that promises to pair well with the newest EOS R body. The Canon RF-S 14-30mm f/4-6.3 IS STM PZ lens delivers a 22-48mm equivalent focal length range, which Canon says is ideal for cinematic video, live streaming, and vlogging. [Read More]

The Canon EOS R50 V is designed from the ground up to deliver a very lightweight version of the Canon EOS Cinema experience to an entry-level video audience. [Read More]